{"id":33203,"date":"2021-05-28T05:32:45","date_gmt":"2021-05-27T20:32:45","guid":{"rendered":"http:\/\/kochihen.replan.ne.jp\/?p=33203"},"modified":"2021-05-28T18:54:02","modified_gmt":"2021-05-28T09:54:02","slug":"%e3%80%90%e6%9f%b1%e6%a2%81%e3%83%bb%e5%a1%97%e3%82%8a%e5%a3%81%e3%83%bb%e7%95%b3%e3%81%ae%e6%84%9f%e6%80%a7%ef%bc%8f%e6%97%a5%e6%9c%ac%e4%ba%ba%e3%81%ae%e3%81%84%e3%81%84%e5%ae%b6%e3%89%9c-4%e3%80%91","status":"publish","type":"post","link":"http:\/\/kochihen.replan.ne.jp\/?p=33203","title":{"rendered":"\u3010\u67f1\u6881\u30fb\u5857\u308a\u58c1\u30fb\u7573\u306e\u611f\u6027\uff0f\u65e5\u672c\u4eba\u306e\u3044\u3044\u5bb6\u325c-4\u3011"},"content":{"rendered":"

\"\"<\/a>
\n\"\"<\/a>
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\n\"\"<\/a>
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English version\u2b07<\/p>\n

[Sensitivity of pillars\uff06Beam\uff53, plaster walls, tatami mats \/ Japanese good house \u325c-4]
\nIn the old folk house that remains from the Edo period, the design as shown in the photograph is almost followed in the formal space.
\nIn the material group that composes three dimensions called floor, wall, and ceiling
\nThe pillars and beams of the structure are undesigned, and the walls are from a location close to the area.
\nIt is covered with a plastered wall made of soil.
\nIf the ceiling is stretched, it will be covered with wood.
\nAnd the space design that the floor is covered with tatami mats.
\nMaybe for this kind of spatial composition
\nOur sensibilities must have become accustomed to the process of economic development during the Edo period.
\nAt the common people level, it probably accumulates time for at most 400-500 years.
\nWhether it was a wooden floor before that,
\nIt seems that the degree of raising the floor from the ground seat was a universal style.
\nThe way of life of such ordinary people enjoyed a higher-class life culture.
\nPerhaps they were going up towards the spatial level of the upper aristocrats.
\nMaybe the common people in the Edo period want to realize it if they can afford it a little.
\nI must have continued to feel a certain kind of “longing” for this kind of spatiality.<\/p>\n

As a living culture norm of how to spend in such a space
\nDid the style of “tea” permeate with universality?
\nEven now, Japanese people sit on the floor of tatami mats in this kind of space.
\nWe have generalized the reception service of enjoying the tea that is served.
\nThere is also a sitting style that seems to be a Japanese original called Seiza
\nI think it was a lifestyle that developed in such a space.
\nFrom the perspective of modern people, what is the basis for such spatial legitimacy of culture?
\nI do a far DNA search, but I don’t really feel it.
\nIn an old folk house, the place with such an indoor structure is a “reception space”,
\nMost of my daily life was a room with wooden floors and cushions.
\nWith that in mind, these spaces are like a kind of hotel.
\nIt’s a space for responding to the occasional long-distance visitors, and it’s an expression of the appearance of the house.
\nIt may have been a spatiality that was a combination of mindset and appearance.
\nThe wall at the back of the screen is not yet a “tokonoma”,
\n“Ornaments” are placed to trigger conversations with guests.<\/p>\n

I’m sure this white snake has a religious spell, but
\nIt’s also a kind of humor, and you can feel the fun as an exhibit of hospitality.
\nI was surely knocked down by its charm (laughs).<\/p>\n

After the Meiji era, and notably after the war
\nThe Japanese have been “devoted” to what is called “westernization.”
\nJapan is vulnerable to “gaiatsu”, or the conversion using it is skillful.
\nThe lifestyle has changed completely,
\nAs a proof of this, such spatiality is disappearing from modern homes.
\nThe number of hotels has increased so much that the hotel function is not necessary for most houses.
\nI think it’s an irreversible change, but
\nAt some point a DNA-level “reverse rotation” may occur, not yet known.
\nJapanese society has a tradition of “national weathering” after external pressure.<\/p>\n","protected":false},"excerpt":{"rendered":"

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